Miniature Anthropomorphic Sculptures from Ust-Voikary: Chronology, Context, Semantics
Miniature Anthropomorphic Sculptures from Ust-Voikary: Chronology, Context, Semantics
doi:10.17746/1563-0110.2024.52.2.108-118
Y.N. Garkusha, A.V. Novikov, and A.V. Baulo
Institute of Archaeology and Ethnography, Siberian Branch, Russian Academy of Sciences, Pr. Akademika Lavrentieva 17, Novosibirsk, 630090, Russia
We publish a sample of anthropomorphic sculptures unearthed in 2012-2016 at the Ust-Voikary fortified settlement in the circumpolar zone of Western Siberia. This is one of the permafrost sites, where artifacts made of organic materials are well preserved. The vast majority of the sculptures are made of wood, two of sheet metal, and one from a limonite concretion. Four main categories are identified: busts, heads, relatively full anthropomorphic figurines, and masks on sticks. Most of the sculptures follow the tradition of Ob-Ugric art, while a few can be attributed to Samoyedic art. Some figurines have additional elements such as rows of notches and diamond-shaped signs. According to ethnographic data, these signs endowed the sculptures with a sacral status. The finds have a clear archaeological, architectural, and dendrochronological context. Most were discovered in cultural layers dating to the early 1500s to early and mid-1700s. The artistic style is analyzed, and parallels are cited. The sculptures are compared with 18th to early 20th century ethnographic data. The connection of mostfigurines with dwellings, their small size and style show that they all belong to the ritual wooden anthropomorphic sculpture and were attributes of domestic sanctuaries. They fall into two main categories: family patron spirits and ittarma—temporary abodes of souls of the dead.
